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Free for Commercial Use

Distressed Roroy 7 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'Neue Helvetica', 'Neue Helvetica Arabic', 'Neue Helvetica Armenian', 'Neue Helvetica Georgian', 'Neue Helvetica Paneuropean', 'Neue Helvetica Thai', and 'Neue Helvetica World' by Linotype; 'Generic' by More Etc; and 'Nimbus Sans Arabic' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, apparel, stickers, album covers, event promos, grunge, playful, rugged, urban, vintage print, add texture, signal grit, headline impact, diy feel, stenciled, speckled, blotchy, rounded, chunky.


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A heavy, rounded sans with chunky silhouettes and simplified geometry, paired with irregular interior voids that read like ink wear, scuffing, or stencil breakup. Stroke terminals are generally blunt and smooth on the outside, while the counters and inner edges are peppered with organic cutouts that vary from glyph to glyph. Proportions are compact and sturdy, with wide bowls and generous curves in letters like O, C, and G, contrasted by straighter, blocky constructions in E, F, and T. Overall spacing and rhythm feel stable and legible at display sizes, while the distressed texture introduces lively visual noise.

This style is best suited to headlines, packaging accents, and short phrases where texture is part of the message—such as posters, music or nightlife collateral, apparel graphics, and branded merchandise. It can add personality to titles and pull quotes, but the internal breakup may reduce clarity at small sizes or in dense paragraphs.

The tone is gritty and energetic, combining a friendly rounded base with a roughened, imperfect print character. It suggests DIY posters, worn signage, and street-level graphics—casual, bold, and attention-seeking rather than refined or corporate.

The design intention appears to be a dependable, bold display letterform that carries a built-in distressed/printed patina. By keeping the outer shapes robust and rounding-friendly while roughening the interiors, it balances readability with an intentionally worn, tactile look.

The distressing is concentrated inside the forms, creating a consistent "weathered fill" effect without heavily eroding the outer contours. Numerals follow the same chunky construction and textured interior, keeping the set visually cohesive in headlines and short bursts of copy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸