Solid Boha 7 is a very light, narrow, medium contrast, upright, short x-height font.
Keywords: posters, logotypes, headlines, album covers, packaging, art deco, mysterious, playful, futuristic, elegant, distinctive identity, decorative display, retro futurism, graphic contrast, patterned texture, geometric, monoline, hairline, inline, stencil-like.
A geometric display face built from hairline strokes and crisp circular bowls, with a strong emphasis on simplified construction. Many rounded letters incorporate bold, filled counter-shapes or half-moon inserts that read like inlaid forms, creating a distinctive solid/void interplay. Terminals are clean and abrupt, diagonals are sharp, and curves are drawn with smooth, near-compass precision. The rhythm alternates between airy monoline outlines and sudden dense black interiors, producing high visual punctuation across words even though the outlines remain extremely thin.
Best used large in headlines, posters, title sequences, and branding where the unusual counters can be appreciated as graphic features. It can work well for logotypes, packaging accents, and editorial display lines, especially in minimal layouts that give the thin outlines room to breathe. For continuous text or small UI sizes, the extreme delicacy and unconventional interior forms may hinder readability.
The overall tone feels Art Deco–adjacent and theatrical, mixing elegance with an odd, puzzle-like sense of humor. The filled counters give it a coded, emblematic quality that can read as futuristic or ceremonial depending on context. It comes across as quirky but controlled—more curated than hand-drawn—suited to situations where a single word should feel enigmatic and designed.
The design appears intended to fuse a refined geometric skeleton with unexpected solid counter-inserts, creating a signature look that stands out instantly. It prioritizes visual intrigue and pattern over neutral legibility, aiming for a stylized, emblem-like voice that feels modern with retro overtones.
Several glyphs use nonstandard internal shapes (diamonds, wedges, or occluded bowls) that can reduce conventional letter recognition at small sizes but add strong graphic identity at display scale. Round characters (like O/C/G/Q and their lowercase counterparts) carry much of the font’s personality through these interior treatments, while straight-sided letters stay minimal and architectural.