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Free for Commercial Use

Solid Tyfy 7 is a very bold, normal width, medium contrast, upright, tall x-height font visually similar to 'Chamelton' by Alex Khoroshok (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, stickers, playful, chunky, quirky, cartoonish, retro, attention, novelty, impact, playfulness, branding, blobby, rounded, faceted, stencil-like, high-impact.


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A heavy, compact display face built from chunky, rounded masses with frequent angled cut-ins that create a faceted, chiseled silhouette. Counters are largely collapsed, producing solid letterforms with only small notches and occasional bite-like openings to imply structure. Terminals tend to be blunt and squared-off, while curves are swollen and uneven, giving the alphabet an intentionally irregular rhythm. Uppercase and lowercase share similarly robust proportions, with a tall lowercase presence and dense, dark spacing in words.

Best suited to short, high-impact applications such as posters, headlines, logo wordmarks, packaging callouts, and playful merchandise graphics. It can work for limited captions or slogans when set large with extra tracking, but it is not optimized for long passages due to its solid interiors and dense texture.

The overall tone is loud and mischievous, leaning into a cartoon and poster sensibility rather than conventional readability. Its blocky silhouettes and quirky cuts feel energetic and slightly rebellious, with a vintage novelty flavor that reads as fun, informal, and attention-grabbing.

The design appears intended to maximize visual punch through solid, counterless construction and an intentionally uneven, cut-out geometry. By combining inflated curves with sharp notches, it aims for a distinctive novelty voice that remains recognizable at a glance in bold display contexts.

In text settings the dense black shapes and minimal internal differentiation cause letters to visually fuse, especially where adjacent forms create continuous dark bands. The distinctive identity comes more from outer contours and the repeated angular notches than from traditional counter shapes, so it performs best when given generous size and breathing room.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸