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Free for Commercial Use

Serif Normal Arboz 2 is a bold, wide, high contrast, italic, normal x-height font.

Keywords: headlines, editorial, posters, book covers, branding, classic, dramatic, formal, confident, emphasis, editorial voice, classic revival, display impact, dramatic contrast, bracketed, wedge serif, calligraphic, lively, compact.


Free for commercial use
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A lively italic serif with pronounced stroke contrast and a forward slant. Serifs are sharply cut and largely wedge-like with subtle bracketing, giving terminals a crisp, chiseled finish. The curves are full and energetic, with noticeably weighted bowls and tapered joins that create a strong diagonal rhythm across words. Counters are moderately open, and spacing reads intentionally irregular in places, reinforcing a dynamic, display-leaning texture rather than a strictly even text face.

This font is well suited to headlines, subheads, and pull quotes where its contrast and italic motion can do expressive work. It can serve editorial applications such as magazine features or book-cover titling, especially when a classic serif voice with extra impact is desired. In branding, it fits marks and wordmarks that want a traditional foundation with a more energetic, slanted stance.

The overall tone is assertive and traditional, with an editorial seriousness heightened by the dramatic contrast and brisk italic movement. It evokes classic publishing and formal printing, while the punchy weight and animated forms add a sense of urgency and flair. The result feels suited to emphatic, attention-seeking typography that still carries conventional serif credibility.

The design appears intended to deliver a conventional serif idiom with heightened emphasis: strong contrast, crisp wedge serifs, and a decisive italic angle for impact. It prioritizes a bold, editorial presence and expressive rhythm over strict neutrality, making it a natural choice for prominent typographic moments.

Figures and capitals appear sturdy and headline-ready, maintaining the same crisp, angled finishing as the letters. The italic construction is strong enough that even short strings develop a distinct rightward sweep, which can be used as a deliberate stylistic cue in layouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸