Sans Superellipse Pygiv 14 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Gibstone' by Eko Bimantara, 'Fester' by Fontfabric, 'Fabrikat Kompakt' by HVD Fonts, and 'Nuber Next' by The Northern Block (names referenced only for comparison).
Keywords: ui text, product labeling, signage, dashboards, brand systems, modern, clean, friendly, technical, utilitarian, clarity, system design, approachability, neutrality, legibility, rounded, geometric, neutral, crisp, open.
A rounded geometric sans with smooth superelliptical curves and consistently softened corners across bowls and terminals. Strokes are even and steady, with closed forms that read as compact but not cramped, and counters that stay open enough for clarity. The lowercase shows single-storey a and g, straight-sided stems, and simple, efficient joins, while the capitals keep broad, stable shapes with clean diagonals in A, V, W, X, and Y. Numerals are straightforward and legible, matching the same rounded-square logic and restrained detailing.
This font is well suited to UI and product contexts where a modern, approachable sans is needed—navigation, controls, settings screens, and data-heavy dashboards. It should also work well for signage, packaging, and corporate brand systems that want a clean geometric voice with softened edges. In editorial settings it reads best as a display-to-subhead companion rather than a highly characterful headline face.
The overall tone is contemporary and matter-of-fact, with a friendly edge coming from the rounded geometry. It feels neutral and dependable rather than expressive, suited to interfaces and systems where clarity and consistency matter. The shapes suggest a quiet tech sensibility without becoming cold or overly clinical.
The design appears intended to deliver a contemporary geometric sans built on rounded-rectangle logic, balancing crisp structure with approachable softness. It prioritizes consistency, straightforward legibility, and a restrained, system-friendly rhythm over stylistic flair.
Round forms (C, G, O, Q) lean toward squarish curves rather than perfect circles, reinforcing a structured, grid-friendly rhythm. Spacing appears even and practical in the text sample, supporting continuous reading at larger sizes and clear word shapes. The design avoids ornament and keeps punctuation-like details (such as the i/j dots) simple and unobtrusive.