Sans Faceted Jidi 3 is a light, wide, low contrast, upright, normal x-height font.
Keywords: headlines, branding, posters, ui labels, packaging, techno, futuristic, industrial, instrumental, modular, tech styling, geometric system, interface utility, display impact, faceted, angular, chamfered, octagonal, geometric.
This typeface is built from straight strokes and crisp chamfered corners, replacing curves with short planar facets that create an octagonal, cut-metal silhouette. Stems are light and uniform with minimal contrast, and terminals are typically flat or bevel-cut, producing a clean, engineered rhythm. Proportions read broadly set with generous horizontal spans, while counters stay open and polygonal, keeping forms legible even with the segmented geometry. Uppercase and lowercase share the same angular construction, with simple, single-storey structures and a consistent, grid-like logic across letters and numerals.
It suits display roles where a crisp, technical voice is desirable—headlines, identity work, and poster typography benefit from the repeated faceting and wide stance. It can also work for short UI labels, dashboards, or product/packaging callouts where an engineered, contemporary look is needed, while longer passages are best set with comfortable size and spacing to avoid corner-driven visual noise.
The overall tone feels technical and forward-looking, with a precise, machined character that suggests digital interfaces and industrial design. Its faceted construction adds a sci‑fi edge while remaining orderly and readable, giving text a controlled, instrumental mood rather than an expressive or handwritten one.
The design appears intended to translate geometric sans forms into a faceted, planar system, prioritizing a consistent chamfer language over smooth curvature. The goal seems to be a modern, high-precision feel that remains functional for branding and interface-adjacent typography.
Diagonal joins are handled with short bevels rather than true curves, which creates a distinctive sparkle in long lines of text as corners repeat at regular intervals. Numerals follow the same polygonal system, especially in rounded figures, reinforcing a cohesive, device-like aesthetic across alphanumerics.