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Free for Commercial Use

Sans Rounded Sone 5 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Jano Round' by Craceltype; 'All Round Gothic' by Dharma Type; 'Chewatext', 'Chewatext Rounded', and 'Prachason Neue Mon' by Jipatype; and 'Chennai' by insigne (names referenced only for comparison).

Keywords: headlines, posters, packaging, kids branding, logos, playful, friendly, retro, soft, bubbly, attention grab, friendly tone, youth appeal, brand voice, soft impact, rounded, chunky, bouncy, informal, high-impact.


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A heavy, rounded sans with a pronounced rightward slant and a smooth, monoline construction. Strokes are thick and uniformly weighted, with generously rounded terminals and corners that create a pillowy silhouette. Counters are compact but open enough to keep forms legible at display sizes, and the overall rhythm feels buoyant due to curved joins and soft diagonals. Numerals and letters share the same inflated geometry, producing a cohesive, high-impact texture in words and lines of text.

Best suited to display applications where bold, friendly impact is needed—such as headlines, posters, product packaging, and logo wordmarks. It also fits playful branding and youth-oriented communication, as well as energetic social graphics where a soft, rounded voice helps keep the tone approachable.

The font communicates a warm, upbeat personality with a distinctly playful, cartoon-leaning tone. Its soft curves and forward-leaning posture suggest motion and friendliness rather than formality, giving it an approachable, attention-grabbing presence. The overall impression is casual and fun, with a light retro flavor typical of rounded display lettering.

The design appears intended to deliver maximum visual presence while staying approachable, using rounded terminals and a consistent slant to create a lively, modern display voice. Its forms prioritize softness and momentum over strict geometry, aiming for cheerful readability and strong brand character.

The slant is consistent across uppercase, lowercase, and numerals, and the rounded shaping is carried through even where sharp joins might normally appear, reinforcing a smooth, inflated look. The bold massing and tight interior spaces make it most effective when given room to breathe, especially in longer lines or smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸