Font Hero

Endless Fonts
Free for Commercial Use
Download Now

Sans Superellipse Gariv 6 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to 'Acumin' by Adobe, 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, 'Entropia' by Slava Antipov, 'Balbek Pro' and 'Balbek Pro Cut' by Valentino Vergan, and 'Herokid' by W Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, promotions, sporty, urgent, aggressive, modern, high-impact, impact, speed, compactness, emphasis, branding, condensed, oblique, blocky, rounded, tight.


Free for commercial use
Customize the font name

A heavy, tightly set oblique sans with compact proportions and a forward-leaning stance. Strokes are thick and largely uniform, with rounded-rectangle (superellipse-like) bowls and counters that keep curves firm rather than soft. Terminals are mostly blunt and squared off, apertures are relatively closed, and the overall rhythm is dense and blocky. The lowercase shows a tall x-height with short extenders, while figures are bold and compact for strong presence in limited space.

Best suited for display typography where impact and speed matter—headlines, posters, campaign graphics, and sports-oriented branding. It also works well on packaging or signage when you need a compact, high-visibility wordmark or callout that holds up under bold color and strong contrast.

The overall tone is fast, forceful, and assertive, with a distinctly athletic and promotional energy. Its condensed, slanted silhouette reads as in-motion, lending a sense of urgency and competition. The rounded geometry keeps it contemporary rather than industrial, but the weight and tight spacing remain commanding.

The design appears intended to deliver maximum visual punch in a space-efficient, forward-leaning form. By pairing dense weight with rounded-rectangular construction and blunt terminals, it aims for modern athletic emphasis with dependable, repeatable shapes across letters and figures.

In long lines the dense color and tight internal spaces can make small sizes feel heavy, while at larger sizes the strong silhouette and consistent geometry become a clear asset. The oblique angle and compact widths create a pronounced horizontal momentum that suits emphatic, short messaging better than quiet editorial text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸