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Free for Commercial Use

Inline Ryly 5 is a bold, wide, very high contrast, italic, normal x-height font.

Keywords: headlines, posters, logos, packaging, titles, dramatic, swashbuckling, vintage, theatrical, comic, display impact, decorative texture, vintage styling, poster use, brand voice, slanted, high-contrast, inline cuts, carved detail, wedge serifs.


Free for commercial use
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A slanted, high-contrast display face with weighty, tapered strokes and sharp wedge-like terminals. The letterforms lean consistently and show lively, calligraphic modulation, with pronounced thick–thin transitions. Distinctive inline cut-outs and small carved notches appear within many strokes, creating a faceted, chiseled look while preserving solid, bold silhouettes. Proportions feel generously wide with energetic spacing and a slightly irregular rhythm that emphasizes character over strict uniformity; the figures match the same italic, high-contrast construction.

Best suited to short, prominent settings such as headlines, titles, posters, and logo wordmarks where the inline carving can be appreciated. It can also work for packaging and signage that benefits from a bold, decorative voice, while longer text blocks will generally need generous size and spacing to maintain legibility.

The overall tone is bold and performative, suggesting theatrical posters, swashbuckling adventure, and old-time showmanship. The carved inline detail adds a decorative, slightly mischievous flair that reads as playful and attention-seeking rather than restrained or neutral.

The design appears intended as an expressive display italic that merges bold, high-contrast forms with inline carving to create a sculpted, vintage-leaning effect. The goal seems to be instant impact and personality, prioritizing theatrical texture and recognizable silhouettes in large-scale typography.

The internal cut-outs are large enough to read clearly at display sizes, but they also add visual busyness that can reduce clarity when set too small or too tightly. The strongest impression comes from the combination of italic momentum, sharp terminals, and the recurring “carved” highlights that unify the alphabet and numerals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸