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Free for Commercial Use

Serif Other Ebza 3 is a very bold, normal width, very high contrast, upright, normal x-height font.

Keywords: headlines, posters, packaging, book covers, branding, dramatic, theatrical, playful, vintage, whimsical, display impact, ornamental flair, vintage poster, editorial drama, ball terminals, wedge serifs, ink-trap cuts, teardrop joins, soft corners.


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This typeface is a heavy, high-contrast decorative serif with sculpted, calligraphic stroke modulation. Stems are broad and blunt, while hairline connections appear as sharp internal cuts and tapered joins rather than continuous thin strokes. Serifs are wedge-like and often asymmetric, with frequent ball and teardrop terminals that give counters and joins a carved, stamp-like feel. The rhythm is lively and uneven in a controlled way, with noticeable alternation between dense verticals and small, pinched apertures; curves are compact and slightly flattened, and overall spacing reads generous at display sizes.

Best suited to display typography where its sculpted contrast and ornamental terminals can be appreciated—headlines, posters, magazine covers, and statement branding. It can also work well on packaging and labels that want a vintage or theatrical flavor. For longer passages, it will generally perform better in short bursts (pull quotes, subheads) rather than continuous text.

The tone is flamboyant and slightly mischievous—part Victorian-era poster, part modern editorial splash. Its bold silhouettes and ornamental terminals create a sense of drama and showmanship, while the softened teardrops keep it from feeling severe. The overall impression is confident, quirky, and attention-seeking.

The design appears intended to reinterpret a classical serif foundation into a bold, decorative display voice by exaggerating contrast, adding ball and teardrop terminals, and using sharp internal cut-ins to create a distinctive, engraved-like texture. The goal seems to be high impact and personality while keeping letterforms broadly familiar and readable at headline sizes.

Distinctive details include frequent internal notches and razor-thin cut-ins at joins, plus rounded ball-like endings on letters such as C, G, J, S, and many lowercase forms. The numerals and punctuation follow the same ornamental logic, maintaining a consistent decorative system across the set. At smaller sizes, the tight apertures and internal cuts may begin to merge, making it most effective when given room and contrast.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸