Sans Superellipse Halek 3 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Nilish' by Ahmet Altun (names referenced only for comparison).
Keywords: headlines, logos, packaging, posters, ui labels, tech, industrial, retro-futurist, utilitarian, game ui, tech aesthetic, modular geometry, strong branding, display clarity, rounded corners, squared curves, boxy, sturdy, compact.
A geometric sans with a squared-off, superellipse construction: curves resolve into rounded rectangles and corners are consistently radiused. Strokes are monoline and heavy, producing dense, high-contrast silhouettes with generous internal rounding to keep counters open. Terminals tend to be flat and squared, and joins stay clean and mechanical, giving letters a compact, engineered rhythm. Numerals and caps follow the same boxy-curved logic, with simplified, structural forms that favor clarity over calligraphic nuance.
Best suited for headlines, branding marks, packaging, and poster-style typography where the bold, rounded-rect geometry can carry a strong visual identity. It also works well for UI labels, dashboards, and game or device-style interfaces that benefit from a compact, technical voice.
The overall tone feels technological and utilitarian, with a subtle retro-futurist flavor reminiscent of hardware labeling, sci-fi interfaces, and arcade-era graphics. Its sturdy, modular shapes read as confident and functional, leaning more toward machine-made precision than warmth or elegance.
The font appears designed to merge legibility with a constructed, modular aesthetic—using rounded-rectangle forms and even stroke weight to evoke engineered precision. Its simplified curves and squared terminals suggest an intention to perform strongly in modern display settings while referencing familiar tech/industrial typography cues.
The design maintains a consistent corner radius across rounds and diagonals, helping the set feel unified even where shapes are highly simplified. The heavy weight and squared curves make word shapes distinct at display sizes, while the tight geometry can feel assertive and space-efficient in headings.