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Sans Superellipse Tigen 2 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Clintone' by Jinan Studio, 'Aaux Next Cond' by Positype, 'Lyu Lin' by Stefan Stoychev, and 'Artico' by cretype (names referenced only for comparison).

Keywords: posters, headlines, packaging, stickers, merch, rugged, playful, handmade, bold, informal, impact, handmade feel, analog texture, compact set, rounded, blunt, stamped, textured, chunky.


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This typeface uses compact, heavy forms with rounded-rectangle construction and blunt terminals. Strokes stay largely even in thickness, with subtly wobbly, roughened edges that suggest ink spread or a stamped/printed texture rather than crisp vector outlines. Counters are small and sturdy, apertures are somewhat closed, and curves are simplified into soft superelliptical shapes, giving the letters a blocky, resilient silhouette. Overall spacing feels tight and efficient, supporting dense set text while keeping a lively, irregular rhythm at the edges.

It performs best in short, bold applications where texture and weight are assets: posters, punchy headlines, packaging labels, stickers, and merchandise graphics. The compact proportions and sturdy counters also make it usable for brief subheads or captions when a handmade, stamped feel is desired, especially in high-contrast print or screen settings.

The overall tone is gritty and friendly—like hand-printed signage or a DIY stamp set. Its chunky shapes read confidently and casually, with the texture adding a slightly rebellious, zine-like energy that feels more human than corporate.

The design appears intended to deliver maximum impact in a compact footprint while retaining a handcrafted, tactile quality. By combining rounded-rectangle geometry with intentionally rough edges, it aims to feel approachable and analog—like ink on paper—without losing the straightforward clarity of a sans structure.

The rough perimeter treatment is consistent across uppercase, lowercase, and figures, creating a unified “printed” voice. The lowercase maintains a straightforward, workmanlike structure (single-storey forms where expected), and the numerals match the same compact, sturdy build for cohesive mixed text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸