Sans Superellipse Kahy 4 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Flexo Soft' by Durotype, 'Digital Sans Now' by Elsner+Flake, and 'Obvia' by Typefolio (names referenced only for comparison).
Keywords: sports branding, headlines, posters, app ui, gaming, sporty, techno, energetic, confident, compact, impact, motion, modernity, branding, display, rounded corners, oblique slant, squarish curves, wide apertures, sturdy.
A heavy, oblique sans with a squared, superelliptical construction: curves resolve into rounded rectangles rather than true circles, and corners are consistently softened. Strokes are broadly uniform with minimal modulation, producing dense black shapes and sturdy counters. Proportions lean compact and blocky in the capitals, while the lowercase shows a tall x-height and short extenders, keeping words tightly packed. The overall rhythm is forward-leaning and mechanical, with open, angular joins and slightly squared bowls that stay consistent across letters and numerals.
Best suited to bold headlines, sports or fitness identities, event posters, esports/gaming graphics, and punchy UI moments such as navigation labels or feature callouts. It performs especially well where a compact, high-impact wordshape is needed and the italic energy supports a sense of motion.
The tone is assertive and fast, borrowing cues from athletic branding and techno-industrial graphics. Its forward slant and chunky forms feel dynamic and purpose-built, emphasizing impact over delicacy. The rounded corners soften the aggression just enough to read as modern and approachable rather than harsh.
The design appears intended to deliver maximum impact with a cohesive rounded-rectangle motif, combining an oblique stance for speed with uniform, low-modulation strokes for a clean, engineered look. The tall lowercase and softened corners suggest a focus on modern display typography that remains readable while projecting strength.
The numeral set matches the same squarish, rounded geometry, with broad, stable shapes that hold up at display sizes. Counters remain relatively open for such a heavy style, helping maintain legibility in short headlines, though the dense weight and tight interior space can feel visually loud in longer passages.