Font Hero

Free for Commercial Use

Slab Contrasted Odby 2 is a bold, normal width, high contrast, upright, normal x-height font.

Keywords: posters, headlines, logotypes, packaging, signage, vintage, western, circus, bold, playful, attention grabbing, retro display, signage voice, wood-type nod, bracketed serifs, chunky, ink-trap feel, notched, ball terminals.


Free for commercial use
Customize the font name

A heavy, display-oriented slab serif with pronounced bracketed slabs and strong vertical stress. The design mixes broad, rounded bowls with squared-off terminals, creating a sculpted, slightly notched silhouette in places (notably at joins and corners) that reads a bit like ink-trap detailing. Curves are generous and smooth, while serifs and cross-strokes land with blocky confidence; counters stay relatively open for the weight. The lowercase shows compact, sturdy forms with a single-storey a and g, and the numerals are wide and simplified, matching the punchy, poster-friendly rhythm.

This font is well suited to posters, headlines, and short editorial callouts where a bold, period-tinged slab serif can carry the message. It also fits branding applications like logotypes, packaging, and signage that benefit from a robust, slightly theatrical texture. For longer passages, it’s best used sparingly as a display face due to its dense, high-impact color.

The overall tone feels vintage and theatrical—evoking old posters, fairground signage, and Western or wood-type influence. Its chunky slabs and lively shaping give it a friendly swagger rather than a formal, bookish voice, making it feel attention-seeking and characterful.

The design appears intended to reinterpret classic slab/wood-type signage forms with extra punch and decorative join shaping, prioritizing presence and texture at larger sizes. It aims to deliver immediate visual impact while retaining recognizable, readable letterforms for expressive titling.

In text, the strong slabs and join detailing create a busy, textured color that is more about personality than neutrality. The capitals present a sturdy, headline-like presence, while the lowercase keeps the same assertive weight, producing a dense, energetic line when set in sentences.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸