Print Tazi 3 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Quiel' by Ardyanatypes, 'Gravitica Compressed' by Ckhans Fonts, 'Raw' by Device, 'PODIUM Sharp' by Machalski, 'Ruden' by Panatype Studio, 'Contraption' by Pink Broccoli, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, kids, stickers, playful, quirky, friendly, chunky, retro, handmade feel, high impact, friendly display, whimsical tone, rounded, soft-edged, bouncy, cartoonish, hand-drawn.
A compact, chunky display face with soft, rounded terminals and a slightly irregular, hand-drawn silhouette. Strokes stay broadly even in thickness, while counters are small and pinched in places, creating a dense, ink-heavy color. The letterforms are tall and compressed with modest width variation from glyph to glyph, and the overall rhythm feels bouncy due to subtle wobble and uneven curvature. Numerals and capitals match the same stout, blobby construction, keeping a consistent, cohesive texture in lines of text.
Best suited to short, attention-grabbing text such as posters, playful branding, packaging callouts, menu headers, and kid-oriented materials. It also works well for labels, stickers, and social graphics where a bold, friendly voice is needed and the type can be set at display sizes.
The font conveys an upbeat, informal tone—more comic and cozy than formal or technical. Its squishy shapes and lively irregularities read as approachable and humorous, with a lightly retro sign-paint or cartoon-title energy.
The design appears intended to mimic casual marker or brush lettering in a simplified, highly legible display style. It prioritizes personality and impact—using compressed proportions, rounded shapes, and slight irregularity to create an energetic, hand-made feel.
In the sample text, the tight interiors and heavy weight make it most effective at larger sizes, where the distinctive lumps, bends, and playful proportions remain clear. The compact width helps fit short headlines into narrow spaces, but the dense texture can feel dark in longer passages.