Sans Superellipse Mify 4 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Nicomedia' by Artegra, 'Nizzoli' by Los Andes, and 'Glint' by Pesic (names referenced only for comparison).
Keywords: ui labels, app branding, packaging, signage, posters, techy, friendly, modern, robust, playful, superellipse system, brand impact, ui clarity, friendly tech, rounded, soft corners, geometric, blocky, compact counters.
This typeface is built from rounded-rectangle (superellipse) geometry with consistently softened corners and smooth, monolinear strokes. Curves and straights meet with broad radii, producing a chunky, stable silhouette and a distinctly squared-round rhythm across capitals, lowercase, and figures. Apertures tend to be fairly closed and counters compact, reinforcing a dense, sturdy texture in text. Terminals are blunt and rounded rather than tapered, and diagonals (as in K, V, W, X) keep the same stroke weight and corner logic for a cohesive, engineered look.
It works well for interface typography, dashboards, and product experiences where a sturdy, high-impact sans is needed at small-to-medium sizes. The distinctive squared-round shapes also make it effective for logos, packaging, and headline applications that benefit from a modern, friendly technical voice.
The overall tone reads contemporary and tech-forward, but approachable thanks to the generous rounding and even color. Its blocky forms feel confident and utilitarian, while the softened geometry adds a friendly, slightly playful character well suited to modern UI and product branding.
The font appears designed to translate superelliptical forms into a practical, contemporary sans with strong presence and consistent rounding, balancing a technical, modular construction with approachable softness for digital-first communication.
The design emphasizes consistency of corner treatment and interior rounding, giving letters and numerals a unified, modular feel. The figures follow the same squared-round construction, helping numerals and text sit together with a uniform, signage-like clarity.