Cursive Itgus 12 is a very light, very narrow, low contrast, italic, very short x-height font.
Keywords: greeting cards, invitations, social posts, packaging, quotes, airy, casual, elegant, whimsical, personal, personal note, delicate accent, friendly tone, quick script, modern casual, monoline, hand-drawn, loopy, tall, slanted.
A slender, monoline handwritten script with a consistent rightward slant and tall, elongated proportions. Strokes stay uniformly thin with rounded terminals and a lightly wavering baseline that preserves an authentic pen-drawn feel. Uppercase forms are narrow and upright in structure but inclined, mixing simple printed skeletons with occasional cursive cues, while lowercase letters favor looped ascenders/descenders and compact counters. Spacing is relatively open for such a narrow hand, and the overall rhythm is light, quick, and continuous without heavy emphasis or sharp contrast.
Well-suited for short to medium lines where a personal, handwritten tone is desired—greeting cards, invitations, quotes, social media graphics, and light branding accents. It can also work on packaging and labels where a delicate, human touch is needed. Because the stroke is very fine and the forms are narrow and tall, it will generally perform best at larger sizes or with generous spacing in print and on screen.
The font reads as intimate and informal, like a neat personal note written with a fine-tip pen. Its tall, airy forms add a gentle elegance, while the slight irregularities and loops keep it friendly and relaxed. The tone lands between delicate and playful rather than bold or authoritative.
Designed to capture a refined everyday handwriting look: thin, slightly slanted, and narrowly constructed, with enough loops and baseline movement to feel human while remaining tidy. The letterforms aim for a quick, graceful flow that reads as personable and lightly decorative.
In running text, the high ascenders and deep descenders create a distinctly vertical texture, giving words a lively silhouette. Numerals share the same thin stroke and handwritten logic, blending smoothly with the letterforms. The overall impression stays clean and legible at display sizes, with the most character coming from the narrow width, looping joins, and subtly imperfect stroke behavior.