Slab Square Abmaj 1 is a regular weight, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, posters, signage, packaging, branding, industrial, technical, retro, utilitarian, authoritative, impact, clarity, modularity, labeling, systematic, square serif, blocky, sturdy, condensed feel, angular.
A squared slab serif with a sturdy, engineered build and mostly uniform stroke weight. Corners and curves are consistently rounded into squarish forms, producing rectangular counters and softened right angles throughout. Serifs are blunt and block-like with flat terminals, and joins stay crisp, giving the face a compact, modular rhythm. Uppercase proportions read tall and slightly narrow, while the lowercase stays clean and upright with simple, squared bowls and a single-storey ‘a’.
Best suited to headlines, posters, packaging, and signage where its squared slabs and compact rhythm can carry visual impact. It also works well for branding elements that want an industrial or technical voice, and for short blocks of copy or UI labels when a sturdy, structured texture is desired.
The overall tone is pragmatic and mechanical, with a subtle retro flavor reminiscent of industrial labeling and mid-century display typography. Its squared geometry and firm serifs communicate structure, reliability, and a no-nonsense attitude more than warmth or elegance.
The design appears intended to fuse slab-serif assertiveness with squared, modular geometry, creating a dependable display face that reads clearly and feels engineered. Its consistent rounding and blunt terminals suggest a focus on reproducible forms and strong presence across both text samples and numeral-heavy contexts.
Digit forms follow the same boxy logic—‘0’ and ‘8’ appear notably squared with rounded corners—supporting a cohesive system across letters and numbers. The face maintains clear differentiation between similar shapes (such as I/l/1 and O/0) through slab terminals and rectangular counters, helping it stay legible in bold, high-contrast layouts.