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Sans Other Urpo 2 is a very light, normal width, monoline, italic, normal x-height font.

Keywords: headlines, posters, branding, packaging, editorial accents, airy, playful, futuristic, hand-drawn, minimal, distinctive voice, modernization, experimentation, lightness, rounded terminals, open apertures, geometric, quirky, lively.


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This typeface is built from very thin, even strokes with a consistent oblique slant and softly rounded line endings. Forms lean on simple geometric construction—circles and straight segments—while introducing intentional breaks and gaps (notably in rounded letters) that create a light, segmented rhythm. Curves are generous and open, counters are roomy, and joins often feel slightly offset or simplified, giving the set a casual, drawn-with-a-pen coherence rather than rigid engineering. Numerals and capitals keep the same minimal stroke logic, with occasional asymmetries and open shapes that emphasize clarity over density.

Best suited to short-to-medium display settings such as headlines, poster typography, brand wordmarks, packaging, and editorial accents where its open, segmented forms can read as a stylistic feature. It can also work for light UI or interface accents when used at sufficiently large sizes and with generous spacing.

The overall tone feels airy and contemporary, with a playful, slightly sci‑fi flavor from the open circular forms and segmented strokes. Its oblique posture and simplified construction add a breezy, informal energy, making the text feel friendly and kinetic rather than strictly neutral.

The design appears intended to reinterpret a clean sans skeleton with a minimal, monoline drawing style and deliberate cut-ins, producing a distinctive signature that feels modern and experimental while remaining broadly legible.

In running text, the frequent openings in bowls and the slender stroke weight create a sparkling texture with pronounced white space. Some glyphs appear intentionally unconventional in their detailing, which can add character in display use but may reduce predictability at very small sizes or in dense settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸