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Free for Commercial Use

Distressed Vule 9 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Helvetica Now' by Monotype, 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection, and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, album covers, packaging, branding, grunge, industrial, stenciled, rugged, raw, impact, grit, stencil feel, vintage print, toughness, rough edges, inked, weathered, uneven texture, poster-like.


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A heavy, blocky display face with stencil-like construction and prominent interior breaks, giving many counters a split or bridged appearance. Strokes are thick and simplified with minimal curvature detail, while edges are intentionally rough and chipped, as if printed through a worn template or distressed plate. The texture is consistent across uppercase, lowercase, and numerals, with slightly uneven contours and occasional nicks that create a tactile, ink-worn rhythm in text.

Best suited for large-scale applications such as posters, headlines, title cards, and impactful branding where the texture can be appreciated. It also works well for labels, packaging, and music or event graphics that benefit from a rugged, industrial voice; use generous spacing and moderate line lengths to keep the distressed details from visually clumping.

The overall tone is tough and utilitarian, with a gritty, hands-on feel that suggests wear, machinery, and urban roughness. Its distressed stencil flavor reads assertive and no-nonsense, lending an underground or industrial attitude without becoming overly decorative.

The design appears intended to combine strong, straightforward letterforms with a worn stencil/print effect, producing immediate impact and a tactile, weathered presence. The consistent distressing and bridging suggest a deliberate template-driven aesthetic aimed at bold thematic display typography.

In longer settings the repeated breaks and roughened terminals create strong patterning and high visual density, favoring short phrases over continuous reading. Round forms (like O/0) keep a bold, encircled silhouette while interior bridging maintains the stenciled character throughout.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸