Sans Faceted Itmy 1 is a light, very wide, low contrast, italic, normal x-height font.
Keywords: headlines, branding, posters, ui display, gaming, futuristic, technical, digital, sci‑fi, mechanical, sci‑fi voice, technical display, geometric styling, ui aesthetic, modern branding, faceted, angular, segmented, monoline, octagonal.
A sharply faceted, monoline sans with octagonal/planar construction that replaces curves with short straight segments and clipped corners. Strokes maintain an even, light line weight with low contrast, and terminals often end in angled cuts that reinforce the geometric rhythm. Proportions are notably wide with a forward-leaning slant, while counters tend toward squared-off, multi-sided shapes; round letters like O/C/G read as polygonal rings. The lowercase keeps a clean, modern structure with simplified joins and open forms, and numerals follow the same segmented logic for a cohesive, engineered look.
Best suited to display settings where its angular construction can be appreciated—headlines, posters, technology branding, game titles, and interface elements such as HUD-style labels. It can also work for short bursts of text in tech-forward layouts, especially when ample tracking and size preserve the faceted joins and clipped terminals.
The overall tone feels futuristic and technical, evoking digital instrumentation, aerospace UI, and science-fiction titling. Its faceted geometry and consistent angle language create a precise, machined impression that reads as modern, sleek, and slightly synthetic.
This font appears designed to translate a geometric, polygon-based aesthetic into an approachable sans, emphasizing speed, precision, and a digital-industrial feel. The consistent facet system suggests an intention to deliver a distinctive sci‑fi voice while keeping letterforms recognizable and rhythmically uniform across cases and numerals.
The design’s distinctive identity comes from its consistent corner chamfers and straight-segment approximations of curves, which stay evident even at small sizes. The slanted stance adds motion, while the wide set gives letters room to display their polygonal detailing, making the texture more architectural than handwritten.