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Stencil Ukba 3 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Nicky Sans' by Digitype Studio, 'Grava' by Positype, and 'Santral' by Taner Ardali (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, futuristic, industrial, technical, sporty, edgy, stencil utility, tech styling, dynamic emphasis, display impact, slanted, geometric, clean, sharp, rounded.


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A slanted, geometric sans with crisp, broken strokes that create consistent stencil bridges across curved and straight forms. The letterforms lean forward with a smooth, modern rhythm, combining rounded bowls (notably in C/O/Q) with sharp, angled terminals and occasional cut-in diagonals on joins. Strokes stay largely even in thickness, while the systematic gaps are placed to preserve legibility and reinforce a modular, engineered feel. Numerals follow the same language, with open breaks and simplified curves that keep the set visually cohesive.

Works best in display contexts where the stencil bridges can be appreciated—headlines, posters, product branding, packaging, and signage. It also suits titles and short bursts of text in tech, industrial, sports, or sci‑fi themed layouts, especially when a sense of motion and precision is desired.

The overall tone is modern and tech-forward, with an industrial edge that suggests machinery, aerospace, or engineered products. The forward slant adds motion and urgency, giving it an energetic, performance-oriented character while the stencil breaks introduce a utilitarian, fabricated aesthetic.

The design appears intended to merge a contemporary geometric italic sans with a purposeful stencil construction, delivering a sleek but rugged voice. Its systematic cutouts and forward-leaning posture aim to communicate speed, fabrication, and modern utility while retaining clear, functional letter recognition.

The stencil interruptions are prominent enough to read as a defining motif rather than incidental distress, and they appear consistently across uppercase, lowercase, and figures. Curves are clean and controlled, and the design balances rounded counters with angular cuts, creating a distinctive, slightly aggressive silhouette at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸