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Free for Commercial Use

Serif Flared Higoj 2 is a bold, wide, high contrast, italic, normal x-height font visually similar to 'Hiroshige Sans' by Arthur Baker and 'Hiroshige Sans' by Linotype (names referenced only for comparison).

Keywords: headlines, magazine, book covers, posters, pull quotes, editorial, classic, dramatic, literary, authoritative, display emphasis, editorial tone, classic authority, dynamic motion, bracketed, calligraphic, angled stress, sharp terminals, ink-trap feel.


Free for commercial use
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A slanted, high-contrast serif with vigorous, calligraphic modulation and pronounced wedge-like serifs. Strokes taper quickly into sharp terminals, while many joins and serifs flare outward, creating a sculpted, chiseled rhythm. Counters are relatively compact and the overall drawing feels tightly tensioned, with angled stress evident in rounds and a dynamic sweep through diagonals. Spacing reads moderately open for a display-leaning design, and the numerals match the letterforms with the same brisk contrast and pointed finishing.

It performs best in headlines, cover typography, and editorial applications where contrast and sharp serif detailing can be appreciated. The strong slant and flared finishing make it effective for pull quotes and short-to-medium text settings that need a classic but energetic voice, especially at larger sizes.

The font projects a confident, literary tone with a sense of movement and drama. Its sharp serifs and energetic slant suggest tradition and authority, while the crisp contrast adds a refined, editorial edge suited to emphatic statements.

The design appears intended to blend traditional serif authority with an expressive italic voice, using flared serifs and steep contrast to create a bold, attention-getting texture. It aims for an elevated, print-oriented feel that remains legible while delivering strong personality.

Uppercase forms feel stately and slightly condensed in their internal space, while lowercase shapes show lively, pen-like behavior in bowls and terminals. The italic angle is consistent across letters and figures, helping long lines maintain forward momentum without losing the formal serif character.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
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13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸