Sans Normal Ohkiv 18 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Redtone' by 38-lineart, 'Benn Beckman' by Factory738, 'Lemon Milk Pro' by Marsnev, 'Centra No. 2' by Monotype, and 'Gilroy' by Radomir Tinkov (names referenced only for comparison).
Keywords: headlines, branding, packaging, posters, signage, friendly, playful, bold, approachable, modern, approachability, modern clarity, display impact, brand warmth, rounded, soft, geometric, chunky, high-contrast.
A heavy, rounded sans with monoline construction and clearly geometric underpinnings. Curves are built from broad, near-circular bowls with smooth joins, while terminals and corners are softened rather than sharp. Uppercase forms feel compact and sturdy, with generous counters in letters like O, D, and P, and a wide, open C. The lowercase shows a single‑storey a and g, a short-armed r, and a compact t with a high, blocky crossbar; overall spacing reads even and stable in text.
Best suited to headlines, logos, and short-to-medium display text where its rounded weight can carry personality and impact. It can work well for packaging, posters, and signage that need a friendly, contemporary presence, and for digital UI moments like hero banners or feature callouts where clarity at large sizes matters.
The font projects a friendly, upbeat tone—confident and contemporary without feeling rigid. Its rounded geometry and thick strokes create an approachable, slightly toy-like energy that suits informal and human-centered communication while still reading as clean and modern.
The design appears intended to deliver a bold, approachable geometric voice—prioritizing clean shapes, smooth curves, and sturdy readability for modern display use. Its softened corners and compact proportions suggest an aim toward warmth and friendliness rather than strict industrial neutrality.
Distinctive details include a single‑storey g with a prominent ear, a curved descender on q, and a jaunty, high-waisted numeral set with strong, simple silhouettes. The overall rhythm is consistent, with a sturdy baseline and smooth curvature that stays uniform across letters and figures.