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Free for Commercial Use

Outline Popy 9 is a very light, very wide, low contrast, upright, normal x-height font.

Keywords: headlines, logos, branding, editorial, invitations, elegant, airy, decorative, refined, fashion-forward, luxury display, editorial style, ornamental serif, engraved feel, outlined, monoline, high-waisted, bracketed serifs, calligraphic inflection.


Free for commercial use
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This typeface is drawn as a single-line outline with open counters and no filled strokes, giving letters a delicate, filigree-like presence. The construction is upright with a classical serif skeleton: tall capitals, narrow internal apertures, and small bracketed serifs that taper into fine terminals. Curves are smooth and lightly calligraphic, while joins and spurs are kept crisp, producing a controlled, engraved rhythm. Lowercase forms keep a traditional structure with a moderate x-height, clear ascenders/descenders, and occasional ornamental flicks in curves and terminals; numerals follow the same outlined, high-contrast-in-feel silhouette despite the uniform line weight.

Best suited for display settings such as headlines, logotypes, brand wordmarks, magazine-style editorial titles, and premium packaging. It can also work well for invitations and event materials where an ornate, upscale tone is desired, especially when set large and with ample letterspacing.

The overall tone feels sophisticated and airy, with a couture/editorial character reminiscent of fashion mastheads, wedding stationery, and vintage engraving. Its light, open outlines read as graceful and luxurious rather than utilitarian, emphasizing delicacy and display appeal.

The design appears intended to translate a classic serif letterform into an ultra-delicate, contour-only rendering that prioritizes elegance and visual lightness. It aims to provide a distinctive, high-end display voice while keeping forms recognizable and traditionally proportioned.

Because the design relies on thin contour lines and interior openness, it visually benefits from generous spacing and cleaner backgrounds. At smaller sizes the outline detail can appear fragile, while at larger sizes the elegant serif shapes and curved inflections become the primary feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸