Sans Normal Olnib 8 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Arazatí' by TipoType and 'Arazatí' by Underground (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, ui labels, friendly, confident, modern, approachable, playful, impact, clarity, modern branding, friendly display, legibility, geometric, rounded, soft corners, large counters, high legibility.
This is a heavy, geometric sans with broad, round bowls and largely circular curves paired with straight, firmly cut terminals. Strokes are consistently thick with minimal modulation, and the overall construction favors simple shapes and generous internal space, keeping counters open even at heavier weight. Uppercase forms are wide and stable, while the lowercase shows compact, sturdy silhouettes with a single-storey “a” and “g,” a short-armed “t,” and a plain, vertical “l,” all contributing to a clean, contemporary rhythm. Numerals follow the same rounded, robust construction, with smooth arcs and clear, simple joins.
It performs best in headlines, titles, and display typography where its weight and rounded geometry can carry a strong visual voice. It is also well suited to branding and packaging that need an approachable but solid tone, and to UI labels or navigation where simple, sturdy shapes aid quick recognition at medium-to-large sizes.
The tone is friendly and direct, with a confident, contemporary presence suited to bold messaging. Rounded geometry softens the weight, giving it an approachable, slightly playful character without feeling informal or decorative. Overall it reads as modern, sturdy, and easygoing.
The design appears intended as a modern, geometric workhorse for bold communication: clear, rounded forms for friendliness, combined with substantial weight for impact. Its simplified letterforms and open counters suggest an emphasis on legibility and consistency across mixed-case text and numerals in contemporary layout contexts.
Circular letters like C, O, and Q emphasize near-monoline geometry, while diagonals in V, W, X, and Y feel crisp and decisive against the otherwise rounded system. The heavy weight and large counters help maintain clarity in short text, though the density suggests it will be most effective when given adequate spacing and size.