Slab Square Udlun 1 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Kate Slab' by Monday Type (names referenced only for comparison).
Keywords: book typography, editorial text, magazines, pull quotes, subheads, editorial, literary, traditional, scholarly, refined, text emphasis, editorial voice, classic readability, print texture, slab serif, wedge serifs, bracketed serifs, calligraphic slant, oldstyle figures.
A slanted slab-serif with sturdy, square-shouldered serifs and gently modulated strokes. The letterforms show a clear italic construction with a consistent rightward lean, rounded joins, and compact internal counters that keep the texture dense and even. Serifs are substantial and mostly flat-ended, often subtly bracketed into the stems, giving the design a grounded, bookish presence. Lowercase forms are conventional and readable, with a balanced x-height and a rhythmic, slightly calligraphic flow; the numerals appear oldstyle, blending smoothly into running text.
This face suits editorial applications where an italic with real typographic presence is needed—book interiors, magazine features, and narrative-heavy layouts. It also works well for pull quotes, leads, and subheads where emphasis should feel traditional and authoritative rather than decorative.
The overall tone feels editorial and literary—serious, composed, and slightly classic. Its italic posture adds energy and forward motion, while the slab serifs keep it authoritative and stable, making it feel suitable for thoughtful, text-driven settings rather than flashy display.
The design appears intended to deliver a text-capable italic with the firmness of slab serifs, balancing movement and stability. It aims for classic readability and a distinctive editorial voice, pairing a restrained stroke contrast with substantial serifs to maintain clarity at typical reading sizes.
In text, the font produces a strong horizontal cadence from the slab serifs and a clear diagonal momentum from the italic angle. The curves remain open enough for readability, while the heavier serifs and tight spacing create a confident, print-like color on the page.