Sans Superellipse Uhsy 1 is a very bold, wide, monoline, upright, normal x-height font visually similar to 'Imagine Font' by Jens Isensee (names referenced only for comparison).
Keywords: headlines, logotypes, ui labels, posters, gaming, futuristic, techno, arcade, industrial, sci‑fi, digital feel, strong impact, geometric clarity, brand voice, geometric, squared, rounded, modular, angular.
A heavy, geometric sans built from squared, rounded-rectangle forms and consistent stroke widths. Corners are broadly radiused and terminals are mostly flat, producing a clean, modular silhouette. Counters tend to be rectangular or slot-like (notably in letters such as B, D, O, P, and R), and curves are implied through superelliptical rounding rather than true circular bowls. Diagonals appear sparingly but are crisp and engineered, as seen in K, V, W, X, and Y. The lowercase is similarly constructed and relatively compact, with simplified bowls and short, squared joins that keep texture dense and even at display sizes.
Best suited to short, high-impact settings such as headlines, logo wordmarks, game titles, esports branding, and tech-forward poster work. It can also function well for interface labels, navigation, and product/packaging callouts where sturdy, geometric letterforms help maintain clarity and presence.
The overall tone is assertive and high-tech, with a clear digital/industrial sensibility. Its squared geometry and rounded corners evoke arcade interfaces, sci‑fi titling, and utilitarian labeling where a “designed” voice is desirable rather than neutral text tone.
The design appears intended to deliver a compact, futuristic voice through superelliptical construction, strong horizontals, and simplified counters. By minimizing optical softness while keeping corners rounded, it balances machine-like precision with a friendly, contemporary finish.
Internal negative spaces are often reduced to horizontal or rectangular apertures, which increases punch but can lower differentiation in smaller settings. Figures and capitals share the same boxy, engineered logic; the “0” is notably squared with a centered counter, reinforcing a display-oriented, device-like aesthetic.