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Free for Commercial Use

Distressed Itloh 10 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Helvetica', 'Neue Helvetica', and 'Neue Helvetica Paneuropean' by Linotype; 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection; and 'Nimbus Sans Novus' and 'Nimbus Sans Round' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, stickers, playful, handmade, gritty, friendly, casual, analog print, handmade feel, tactile texture, playful display, casual branding, brushy, blotchy, rounded, chunky, textured.


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A chunky, rounded sans with heavily textured, irregular contours that evoke rough ink or sponge printing. Strokes are thick and mostly monolinear, with soft corners and occasional bulges, dents, and speckled voids within the black shapes. Letterforms lean toward simple, geometric construction, but the baseline and stroke edges feel organically uneven, giving the set a lively, hand-pressed rhythm. Counters are generally open and roomy, and the numerals share the same softened, imperfect silhouette.

Best suited for display settings where texture is an asset: posters, bold headlines, event promos, packaging, labels, stickers, and brand marks that want an analog or handmade feel. It can also work for short bursts of text (taglines, pull quotes) when a friendly but roughened voice is desired.

The font communicates a casual, approachable energy with a gritty, analog edge. Its imperfect ink texture and softened forms create a playful, handmade tone that feels informal and craft-oriented rather than polished or corporate.

The design appears intended to mimic bold hand lettering or stamped/printed type with imperfect inking, combining simple, readable shapes with a deliberately worn surface. Its goal seems to be instant personality and tactile presence, prioritizing character over clean precision.

The distressed texture is consistent across caps, lowercase, and figures, reading as surface wear or uneven inking rather than random distortion. In sample text, the dark color and interior speckling remain visible at display sizes, reinforcing the printlike character and helping keep large blocks from feeling overly sterile.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸