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Free for Commercial Use

Inverted Gala 5 is a very bold, normal width, medium contrast, upright, tall x-height font.

Keywords: headlines, posters, logos, packaging, game titles, gothic, poster, industrial, retro, ornate, thematic display, carved effect, gothic signaling, high impact, decorative texture, blackletter, stenciled, beveled, chiseled, modular.


Free for commercial use
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A heavy display face built from compact, mostly rectilinear letterforms with faceted corners and crisp, chamfer-like cuts. Each glyph reads as a white core carved out of a dense black silhouette, creating an inverted, cutout look with small counters and notched terminals. Curves are simplified into angular segments (notably in C, G, O, and S), and strokes often taper via internal slashes that suggest carving or stencil breaks. Spacing and widths vary by glyph, but the overall rhythm stays tight and blocky, with strong vertical emphasis and clear, high-impact silhouettes.

Best suited to short, high-impact settings such as headlines, posters, title cards, logos, and package labels where the carved interior shapes can be appreciated. It works especially well for entertainment and themed applications—horror, fantasy, gothic, or industrial branding—where a bold, decorative texture is desired. For body text or small UI sizes, the tight cutouts and dense forms are likely to feel busy.

The font conveys a dark, gothic-leaning tone with a theatrical, poster-ready presence. Its carved, high-contrast-in-mass shapes evoke vintage signage, horror or metal aesthetics, and a rugged, industrial attitude. The repeated facets and internal cuts add a decorative edge that feels both retro and intense.

The design appears intended as a dramatic display font that combines blackletter-inspired structure with a modern, blocky build. Its inverted, hollowed construction and consistent faceting suggest a goal of creating strong silhouettes with decorative internal detailing, mimicking carved or stenciled lettering for maximum visual impact.

Uppercase forms tend to be squarer and more architectural, while the lowercase keeps the same carved logic with compact bowls and frequent internal notches. Numerals follow the same faceted construction, with the 0 and 8 emphasizing angular counters. The design’s strong black blocks and tight internal white shapes can cause small details to fill in at very small sizes, favoring larger settings.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸