Sans Normal Nenab 2 is a very bold, very wide, low contrast, upright, normal x-height font visually similar to 'Muller Next' by Fontfabric, 'Peridot Latin' and 'Peridot PE' by Foundry5, 'Belle Sans' by Park Street Studio, and 'Matrice' by Studio Sun (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, friendly, sporty, impactful, straightforward, high impact, approachable display, clear messaging, modern branding, rounded, blunt, blocky, compact, heavy.
A heavy, rounded sans with broad proportions, large counters, and smooth, geometric curves. Strokes are consistently thick with minimal modulation, and terminals are blunt and clean, producing a solid, poster-like texture. The lowercase shows simple, sturdy constructions with round bowls (o, e, p) and straightforward joins, while capitals maintain wide, stable silhouettes; diagonals (V, W, X, Y) are strong and open. Numerals are bold and highly legible, with compact, rounded forms and clear interior space in 8 and 9.
Best suited to display settings such as headlines, posters, signage, and brand marks where a strong, readable voice is needed. It can also work well on packaging and promotional graphics, especially when large type is required to carry the message with minimal styling.
The overall tone is bold and approachable, projecting confidence without feeling sharp or aggressive. Its rounded geometry and dense color give it a modern, sporty energy that reads as practical and direct.
This design appears intended to deliver maximum impact with friendly geometry: wide, rounded letterforms that stay clear and readable at large sizes while creating a strong, uniform typographic presence. The straightforward shapes suggest a focus on utility and immediacy for contemporary advertising and brand-forward applications.
In the text sample, the weight creates a dark, even typographic color with strong word shapes; spacing appears tuned for headline sizes where the large counters help prevent clogging. Round punctuation (periods and the i/j dots) becomes a noticeable stylistic cue at larger sizes.