Print Ikmoy 5 is a regular weight, narrow, medium contrast, italic, short x-height font.
Keywords: packaging, posters, social media, book covers, branding, casual, playful, friendly, handmade, lively, human touch, informal display, hand-lettered feel, approachable tone, energetic rhythm, brushy, rounded, bouncy, textured, informal.
This handwritten print face uses loosely brush-like strokes with rounded terminals and slightly irregular contours that preserve a natural, drawn rhythm. Letters lean gently forward and sit on a subtly bouncy baseline, with variable stroke pressure and occasional tapering that adds texture without becoming rough. Proportions are compact and generally narrow, with a relatively small x-height and lively ascenders/descenders; counters stay open and forms remain clear despite the organic wobble. Uppercase and lowercase share the same casual construction, with simple joins and unconnected letterforms that read as quick marker or brush lettering.
This font works well for short-to-medium display text where a friendly, human touch is desired—such as packaging, café menus, posters, social graphics, and casual branding. It can also support pull quotes or headings in editorial layouts, especially when paired with a neutral text face for longer reading.
The overall tone is approachable and upbeat, suggesting personal notes, handmade labels, and informal messaging. Its slight forward slant and springy spacing give it energy, while the rounded shapes keep it warm and non-confrontational.
The design appears intended to mimic quick, confident hand lettering with brush/marker energy—prioritizing personality and readability over strict geometric consistency. It aims to feel spontaneous and personable while staying structured enough for repeated use in display settings.
Numerals follow the same hand-drawn logic and remain highly legible, with single-stroke simplicity and mild width variation from character to character. The texture is consistent across the set, making it feel cohesive while still intentionally imperfect.