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Sans Other Unvi 5 is a regular weight, very narrow, low contrast, upright, normal x-height font.

Keywords: headlines, posters, signage, labels, packaging, industrial, utilitarian, retro, mechanical, stencil-like, space-saving, industrial tone, stencil effect, technical voice, condensed, monolinear, segmented, angular, modular.


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A condensed, monolinear sans with a distinctly segmented, stencil-like construction. Strokes are mostly straight and upright with rounded corners and frequent vertical breaks that create small counters and notches inside stems and bowls. Curves are simplified into narrow ovals and squared-off arcs, giving letters a modular, engineered rhythm. Proportions are tall and compact, with tight apertures and consistent stroke endings that read as cut or interrupted rather than fully continuous.

Best suited for short, high-impact settings where the segmented construction becomes an asset: headlines, posters, branding accents, product labeling, and industrial-style signage. It can also work for packaging or interface accents when a technical, marked aesthetic is desired; for long-form reading, the repeated breaks may be fatiguing and are better used sparingly.

The overall tone feels industrial and utilitarian, with a slightly retro, machine-made character. The repeated internal gaps suggest labeling, marking, or equipment typography—functional and a bit severe—while still remaining clean enough for graphic use. It conveys precision and constraint more than warmth or expressiveness.

This design appears intended to deliver a compact, space-saving sans with an intentionally interrupted stroke system, echoing stencil or cut-letter processes. The goal seems to be a consistent, engineered look that maintains clarity while adding a distinctive industrial texture.

The stencil interruptions are a defining motif across capitals, lowercase, and numerals, producing a distinctive texture in text lines. Numerals follow the same narrow, segmented logic, reinforcing a uniform, system-like appearance. The texture becomes more pronounced at smaller sizes where the internal breaks may visually merge or compete with counters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸