Sans Superellipse Omkit 11 is a bold, very narrow, monoline, upright, normal x-height font visually similar to 'Abraham' by Sabrcreative (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, logos, condensed, retro, industrial, display, punchy, space-saving, impact, signage clarity, geometric character, retro utility, rounded, rectilinear, high-contrast feel, compact, blocky.
A compact, condensed sans with heavy, uniform strokes and rounded-rectangle construction throughout. Curves resolve into superelliptical corners rather than true circles, giving counters a squared-off, capsule-like geometry. Terminals are blunt and clean, apertures are relatively tight, and joins stay crisp, producing a dense, poster-ready texture. Lowercase forms keep straightforward, utilitarian shapes with simple bowls and short arms, while numerals follow the same tall, narrow proportions for consistent color in mixed text.
Best suited to headlines and short statements where condensed width and strong stroke presence help maximize impact in limited space. It works well for signage, packaging, and branding marks that benefit from a tall, compact silhouette and a geometric, rounded-rect personality. In longer text, it will be most effective at larger sizes where the tight apertures and dense color remain comfortable to read.
The overall tone feels direct and assertive, with a streamlined, engineered look. Its rounded-rect curves add a friendly softness to an otherwise utilitarian, compressed voice, evoking vintage signage and industrial labeling without feeling ornamental.
The design appears intended to deliver a space-saving, high-impact sans with a distinctive superelliptical geometry. By combining blunt, monoline structure with softened corners, it aims to balance industrial clarity with a slightly retro, approachable finish for display-driven typography.
The font’s narrow set-width and tall vertical emphasis create strong rhythm and efficient space usage, especially in all-caps settings. Round characters like O/C/G read as squared ovals, reinforcing the design’s geometric system and helping it maintain a consistent, compact silhouette across the alphabet and figures.