Sans Superellipse Afnek 14 is a regular weight, normal width, low contrast, upright, tall x-height font.
Keywords: ui text, product design, wayfinding, editorial, data display, clean, modern, friendly, technical, neutral, legibility, neutrality, system design, modernization, soft geometry, rounded, monolinear, soft corners, geometric, open apertures.
A monolinear sans with softened, superelliptical curves and gently squared rounds that keep counters spacious and consistent. Strokes maintain an even color with minimal modulation, while terminals are clean and unadorned, producing a tidy, contemporary texture in text. Proportions feel slightly condensed in many letters with a compact rhythm, yet round characters stay broad and stable, giving the overall set a balanced, engineered feel. The lowercase shows simple, direct construction (single-storey a and g), and numerals are straightforward and highly legible with clear differentiation.
This font suits interface typography, product and brand systems, and general-purpose editorial work where clarity and an even typographic color are priorities. Its open shapes and disciplined geometry also make it a solid choice for signage-style labels, dashboards, and data-forward layouts where quick recognition of letters and numerals matters.
The overall tone is calm and contemporary, combining a friendly softness from rounded forms with a pragmatic, technical clarity. It reads as neutral and dependable rather than expressive, making it feel at home in modern digital interfaces and information-heavy layouts.
The design appears aimed at a modern, geometric sans that softens strict construction with rounded superelliptical forms, prioritizing legibility and a consistent, system-ready texture. It balances friendliness with precision to work across both display and continuous reading contexts.
Round letters like O/C/G lean toward rounded-rectangle geometry, and joins/shoulders are smoothed without becoming fully circular, which helps maintain a crisp silhouette at display sizes. Punctuation and dots appear compact and neat, reinforcing the font’s controlled, utilitarian character.