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Free for Commercial Use

Sans Superellipse Otnip 11 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Gravitica' by Ckhans Fonts, 'Korolev' by Device, 'Ciutadella' by Emtype Foundry, 'Abel Pro' by MADType, and 'SNV' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, modern, punchy, friendly, utilitarian, impact, clarity, modernity, approachability, rounded, compact, blocky, high-contrast counters, flat terminals.


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A heavy, geometric sans with strongly rounded, superellipse-like bowls and broadly rectangular proportions. Strokes are consistently thick with minimal modulation, and many joins and corners are softened into large-radius curves, producing a smooth, continuous silhouette. Uppercase forms feel compact and sturdy, while lowercase maintains a straightforward structure with closed, generous counters and short, sturdy shoulders. Terminals are predominantly flat and blunt, and the overall rhythm is dense and even, emphasizing solidity and clarity at display sizes.

Best suited for headlines, titles, and short statements where a dense, high-impact presence is desired. The rounded geometry and heavy weight also make it effective for branding systems, packaging, and signage that needs to feel modern, sturdy, and approachable.

The tone is direct and contemporary, pairing an industrial sturdiness with a friendly softness from the rounded geometry. It reads as confident and attention-grabbing without feeling sharp or aggressive, making it well suited to bold, no-nonsense messaging.

The design appears intended to deliver maximum visual weight and clarity through simplified geometry and rounded-square curves, creating a contemporary grotesque-like voice with softened edges. It prioritizes bold, compact forms that hold up well in large sizes and maintain a consistent, sturdy texture across lines.

Round letters like C, G, O, and S lean toward squared-off curves rather than pure circles, reinforcing a technical, engineered feel. Numerals are wide and stable with large interior spaces, and punctuation and dots appear substantial, supporting strong legibility in short bursts of text.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸