Shadow Imne 3 is a regular weight, normal width, very high contrast, upright, normal x-height font.
Keywords: headlines, posters, signage, packaging, logos, retro, playful, bold, theatrical, graphic, attention, dimensionality, retro signage, display impact, decorative, inline, outlined, drop shadow, 3d, high-contrast.
A decorative display face built from heavy, geometric sans forms with an open inline/outline construction and a consistent offset shadow that creates a crisp pseudo‑3D effect. Curves are largely circular and smooth (notably in C, O, Q, and the rounded lowercase), while terminals and joins are kept clean and simplified for strong silhouette at headline sizes. The shadow is generally cast to the lower-right, producing sharp angular wedges on diagonals and along the bottoms of bowls and stems. Letter proportions feel compact and sturdy with minimal stroke modulation beyond the inline and shadow treatment, and numerals follow the same rounded, sign-like construction.
Best suited to large-size applications where the inline and shadow can read clearly: posters, headlines, product packaging, menus, and storefront-style signage. It can also work for logo wordmarks or short calls-to-action where a retro 3D effect is desired, but it is less appropriate for long-form reading due to its strong decorative shadow and interior detailing.
The combination of hollowed interiors and hard-edged shadowing gives an upbeat, vintage signboard character—confident, attention-seeking, and a little theatrical. It reads as mid-century inspired and poster-ready, with a friendly tone that stays punchy rather than formal.
The design appears intended to deliver a ready-made dimensional look without additional graphic effects—combining outline, inline, and a consistent cast shadow to evoke classic display lettering and print-era advertising. It prioritizes immediate impact and a recognizable retro flavor in a compact, sturdy letterform system.
The shadow treatment is visually prominent and becomes part of the spacing rhythm, especially where diagonals and tight counters create dense black wedges (e.g., V/W/X and some numerals). The lowercase set maintains the same display logic and a single-storey feel, reinforcing a cohesive, approachable voice across mixed-case text.