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Free for Commercial Use

Solid Tyvy 7 is a very bold, wide, low contrast, upright, tall x-height font.

Keywords: posters, headlines, album covers, event flyers, logos, playful, chaotic, hand-cut, posterish, rowdy, grab attention, handmade look, grunge texture, poster impact, stamp effect, angular, faceted, chunky, jagged, stencil-like.


Free for commercial use
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A heavy, all-caps–leaning display face built from blocky silhouettes with sharply clipped corners and irregular, faceted edges. Counters are largely collapsed, giving most letters a solid, cutout feel with only occasional slits or notches hinting at interior structure. Strokes appear monolinear in concept but are uneven in contour, with small bites and offsets that create a rough, hand-cut rhythm. Spacing and widths vary noticeably from glyph to glyph, and the overall texture reads as dense and loud, especially in running text.

Best suited to short, high-impact settings such as posters, headlines, packaging callouts, album/playlist art, and event promotions where a noisy, tactile texture is desirable. It can also work for logo marks or wordmarks that want a deliberately rough, handmade presence, especially at larger sizes with generous tracking.

The font projects an energetic, mischievous tone—part ransom-note collage, part DIY poster lettering. Its broken geometry and near-solid forms feel intentionally unruly and attention-seeking, with a gritty, playful edge rather than a polished or formal voice.

The design appears intended to emulate bold cut-paper or hand-chiseled lettering, prioritizing silhouette impact and quirky irregularity over counter clarity. Its near-solid construction and fractured edges suggest a deliberate move toward a graphic, stamp-like presence that holds up as a strong shape in signage and display contexts.

At text sizes the collapsed counters and jagged joins reduce letter differentiation, so it reads more as a graphic texture than a conventional text face. The strongest visual signature is the repeated use of angled chamfers, abrupt cuts, and asymmetric nicks that make each glyph feel individually carved while still belonging to the same system.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸