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Sans Other Ifto 4 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to 'Brohero' by Alit Design, 'Refinery' by Kimmy Design, 'Hype Vol 1' by Positype, 'Denso' by Stefano Giliberti, 'Pawl' by The Ampersand Forest, and 'Tolyer' by Typesketchbook (names referenced only for comparison).

Keywords: sports branding, posters, headlines, apparel, packaging, athletic, industrial, urgent, tactical, retro, impact, speed, compactness, ruggedness, branding, compressed, oblique, blocky, angular, chiseled.


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This typeface is a condensed, heavy oblique sans with compact proportions and a firmly built silhouette. Strokes are thick and consistent, with sharp, chamfered corners and occasional notched cuts that give counters and terminals a faceted, machined feel. Curves are tightened into squared bowls and clipped arcs, producing a rugged, angular rhythm across both uppercase and lowercase. Spacing appears relatively tight and the letterforms read best at larger sizes where the interior shapes and cuts stay open and distinct.

Best suited for short, high-impact setting such as sports identities, team marks, event posters, and bold headlines. It can also work well on apparel graphics, labels, and packaging where a condensed footprint and strong presence are helpful. For longer passages, it’s more appropriate as a display face rather than body text.

The overall tone is forceful and kinetic, with a slanted stance that suggests speed and impact. Its faceted edges and block construction evoke utilitarian signage, sports branding, and action-oriented graphics rather than neutral text typography. The style reads as assertive and gritty, with a slightly retro display energy.

The design appears intended to deliver maximum punch in a tight width, combining an oblique posture with angular, chamfered details to create a fast, rugged display voice. The consistent heaviness and clipped geometry suggest a focus on branding and title typography where recognition and intensity matter most.

Uppercase forms feel especially uniform and poster-ready, while the lowercase maintains the same hard-edged construction for consistency. Numerals follow the same clipped geometry, reinforcing a cohesive, stamped/engineered look in mixed alphanumeric settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸