Sans Normal Budas 14 is a regular weight, normal width, low contrast, upright, tall x-height font visually similar to 'Allotrope' by Kostic, 'Belle Sans' by Park Street Studio, and 'Akwe Pro' by ROHH (names referenced only for comparison).
Keywords: ui text, editorial, product design, signage, presentations, neutral, modern, clean, functional, friendly, versatility, legibility, clarity, neutrality, monolinear, open apertures, rounded terminals, humanist, clear numerals.
This typeface presents a clean, monolinear sans structure with softly rounded curves and straightforward, open letterforms. Proportions feel balanced and readable, with a relatively high x-height and compact ascenders/descenders that keep lines of text dense and efficient. Curves in C, G, O, and Q are smooth and near-circular, while straight-sided forms like E, F, H, and N maintain even stroke weight and crisp joins. The lowercase shows clear differentiation (single-storey a and g, simple i/j), and the numerals are plain, evenly weighted, and designed to sit comfortably alongside text.
Well-suited to interface typography, dashboards, and product labeling where consistent texture and quick recognition matter. It also performs comfortably in general-purpose editorial and document settings, and scales up cleanly for headings, posters, and wayfinding-style signage thanks to its simple forms and open counters.
The overall tone is neutral and contemporary, prioritizing clarity over personality. Its rounded geometry adds a mild warmth, making it feel approachable without becoming playful or stylized. The rhythm is steady and predictable, giving it a dependable, utilitarian voice.
The design appears intended as a versatile, general-purpose sans that stays out of the way in running text while remaining crisp and confident in display use. Its emphasis on open shapes, even weight, and uncomplicated construction suggests a focus on broad legibility and contemporary neutrality.
Capitals read with a slightly geometric stability, while the lowercase introduces a subtle humanist softness in shoulders and bowls. Counters are generous and apertures remain open in letters like c, e, and s, supporting legibility at smaller sizes and in longer passages.