Cursive Weba 1 is a regular weight, very narrow, medium contrast, italic, very short x-height font.
Keywords: headlines, posters, packaging, social media, branding, casual, expressive, handmade, friendly, artistic, human warmth, handcrafted feel, casual emphasis, quick lettering, display personality, brushy, textured, loose, tall, lively.
A lively handwritten script with tall, narrow proportions and a forward-leaning rhythm. Strokes mimic a dry brush or marker, with visible texture, slight wobble, and intermittent thick–thin modulation that feels pressure-driven rather than mechanically uniform. Letterforms are loosely cursive: many lowercase shapes suggest connection, but spacing and joins vary, producing an organic, improvised flow. Ascenders are prominent, counters are compact, and terminals often taper or flick, reinforcing a quick, gestural construction.
Best suited for short, prominent text where texture and personality are an asset—such as headlines, posters, packaging callouts, café or lifestyle branding, and social media graphics. It can also work for quotes or short captions when a casual, hand-rendered voice is desired, while longer passages may feel busy due to the textured strokes and narrow rhythm.
The overall tone is informal and energetic, with a personal, notebook-like charm. Its brushy texture and uneven stroke edges add warmth and a crafted feel, making the voice come across as approachable, spontaneous, and slightly edgy.
The design appears intended to capture the look of fast, confident brush handwriting—expressive and human rather than polished or calligraphically strict. Its tall proportions and textured stroke treatment prioritize character and momentum, aiming to add a handcrafted accent to modern display typography.
Uppercase characters read as simplified, handwritten capitals with minimal flourish, while the lowercase set carries most of the script character. Numerals follow the same hand-drawn logic, with narrow forms and subtle irregularities that keep them consistent with the lettering.