Print Onmom 1 is a regular weight, narrow, high contrast, italic, short x-height font.
Keywords: posters, headlines, branding, packaging, social graphics, expressive, playful, organic, energetic, artful, handmade feel, expressive display, casual branding, brush energy, brushed, calligraphic, slanted, textured, dynamic.
An informal, print-style handwritten face with a pronounced rightward slant and a brush-pen feel. Strokes show clear thick–thin modulation and occasional dry-brush texture, with tapered entries and exits that mimic quick, confident hand movement. Letterforms are compact and narrow with lively, slightly variable widths, and the overall rhythm is springy rather than strictly uniform. Capitals mix swooping curves with sharper terminals, while lowercase maintains a simple, readable structure with modest ascenders and a relatively low x-height.
Well suited for short display settings where a handcrafted voice is desirable: posters, event titles, packaging callouts, café or boutique branding, and social media graphics. It can also work for pull quotes or section headers when you want emphasis and personality, but its energetic stroke texture and compact proportions favor larger sizes over long passages.
The font reads as casual and expressive, balancing a friendly handwritten tone with a bit of dramatic flair from its contrast and slant. It feels lively and personal—more like a fast signature or brush note than a polished script—giving text an energetic, handcrafted presence.
Likely designed to capture the immediacy of brush handwriting in an unconnected, print-like alphabet, combining calligraphic contrast with informal construction. The aim appears to be expressive impact and a personable, handmade tone while retaining enough clarity for bold, attention-getting text.
Texture and stroke overlap are most visible in rounded forms (such as O/Q) where inner counters show layered strokes, reinforcing the drawn-by-hand character. Numerals follow the same slanted, brushy logic and look best when used as part of short, expressive lines rather than dense tables.