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Free for Commercial Use

Solid Ahga 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Ausgen' by Andfonts, 'Artegra Sans' by Artegra, 'Geometos Soft' and 'Heavitas Neue' by Graphite, and 'Soin Sans Pro' by Stawix (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, merch, chunky, quirky, playful, retro, cartoon, maximum impact, graphic texture, novelty display, retro signage, rounded, soft corners, bulbous, compact, stencil-like.


Free for commercial use
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A heavy, chunky display face with simplified, geometric construction and softly rounded corners. Many counters are reduced to minimal slits or fully closed, creating a solid, poster-like silhouette and strong black mass on the page. Curves are broad and circular (notably in C, O, Q, and the rounded lowercase), while joins and terminals often end in blunt, squared cuts. The overall rhythm is compact and dense, with distinctive, sometimes stencil-like breaks and notches that give letters a cutout feel without relying on fine detail.

Best suited for large-scale display work where its solid silhouettes and quirky cutouts can be appreciated—such as posters, headlines, logo wordmarks, packaging, and merchandise graphics. It can also work for short, energetic phrases in editorial or social graphics where impact outweighs fine legibility.

The tone is bold and mischievous, leaning toward playful cartoon signage and retro novelty graphics. Its closed-in shapes and exaggerated weight feel punchy and attention-seeking, reading more as a visual voice than a neutral text tool.

The design appears intended to maximize visual punch through near-solid forms and rounded geometry, delivering a bold, characterful voice with a novelty edge. By collapsing counters and favoring simple shapes, it creates an immediately recognizable, high-contrast texture in display sizes.

Because many interior openings are minimized or filled, differentiation relies strongly on outer silhouettes and a few strategic cut-ins; this creates a striking texture in large settings but can compress letterforms in tighter contexts. Numerals follow the same chunky logic, with simplified bowls and strong, graphic presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸