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Free for Commercial Use

Sans Superellipse Esrom 2 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'PF Bulletin Sans Pro' and 'PF Das Grotesk Pro' by Parachute and 'Nauman Neue' by The Northern Block (names referenced only for comparison).

Keywords: branding, headlines, ui, signage, posters, modern, sporty, dynamic, clean, confident, motion, clarity, modernity, utility, emphasis, oblique, geometric, rounded, superelliptic, compact.


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A slanted geometric sans with rounded, superellipse-like curves and gently squared-off counters. Strokes are even and low-contrast, with clean terminals and a forward-leaning rhythm that keeps forms tight and efficient. The capitals feel sturdy and slightly condensed in their curves, while the lowercase maintains a straightforward, single-storey construction where applicable, with open apertures and smooth joins. Numerals follow the same streamlined logic, combining rounded rectangles with crisp, simplified interior spaces for a consistent, contemporary texture in text.

Well suited to modern branding, product identities, and short-to-medium headline settings where a clean, kinetic voice is desired. The even strokes and simplified shapes also make it a strong option for UI labels, navigation, and wayfinding, especially when a contemporary italic emphasis is needed.

The overall tone is energetic and contemporary, with an athletic, on-the-move feel created by the italic stance and firm geometry. It reads as purposeful and technical without becoming cold, balancing friendliness from rounded forms with a focused, performance-minded posture.

Designed to deliver a modern italic voice built from geometric, superellipse-inspired construction—prioritizing clarity, consistency, and a sense of motion. The intent appears to be a versatile sans that feels technical and sporty while remaining approachable through rounded geometry.

Round letters show a squarish roundness rather than pure circles, giving the face a distinctive superelliptic signature. The italic angle is consistent across cases, and the punctuation and figures visible in the sample maintain the same brisk, minimal styling, supporting a uniform typographic color in continuous lines.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸