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Free for Commercial Use

Sans Superellipse Esrom 2 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'PF Bulletin Sans Pro' and 'PF Das Grotesk Pro' by Parachute and 'Nauman Neue' by The Northern Block (names referenced only for comparison).

Keywords: branding, headlines, ui, signage, posters, modern, sporty, dynamic, clean, confident, motion, clarity, modernity, utility, emphasis, oblique, geometric, rounded, superelliptic, compact.


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A slanted geometric sans with rounded, superellipse-like curves and gently squared-off counters. Strokes are even and low-contrast, with clean terminals and a forward-leaning rhythm that keeps forms tight and efficient. The capitals feel sturdy and slightly condensed in their curves, while the lowercase maintains a straightforward, single-storey construction where applicable, with open apertures and smooth joins. Numerals follow the same streamlined logic, combining rounded rectangles with crisp, simplified interior spaces for a consistent, contemporary texture in text.

Well suited to modern branding, product identities, and short-to-medium headline settings where a clean, kinetic voice is desired. The even strokes and simplified shapes also make it a strong option for UI labels, navigation, and wayfinding, especially when a contemporary italic emphasis is needed.

The overall tone is energetic and contemporary, with an athletic, on-the-move feel created by the italic stance and firm geometry. It reads as purposeful and technical without becoming cold, balancing friendliness from rounded forms with a focused, performance-minded posture.

Designed to deliver a modern italic voice built from geometric, superellipse-inspired construction—prioritizing clarity, consistency, and a sense of motion. The intent appears to be a versatile sans that feels technical and sporty while remaining approachable through rounded geometry.

Round letters show a squarish roundness rather than pure circles, giving the face a distinctive superelliptic signature. The italic angle is consistent across cases, and the punctuation and figures visible in the sample maintain the same brisk, minimal styling, supporting a uniform typographic color in continuous lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸