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Free for Commercial Use

Serif Normal Osmu 4 is a bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Kepler' by Adobe, 'Bauer Bodoni' by Linotype, and 'Nitida Display' and 'Nitida Headline' by Monotype (names referenced only for comparison).

Keywords: headlines, editorial, magazines, book covers, branding, formal, dramatic, classic, assertive, impact, refinement, authority, editorial tone, classic voice, bracketed, crisp, sculpted, ink-trap-like, display-friendly.


Free for commercial use
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This serif features sharply tapered hairlines against robust stems, creating a striking, high-contrast rhythm. Serifs are bracketed and neatly cut, with crisp terminals and pointed joins that give the outlines a carved, print-like precision. Counters are relatively tight in letters like a, e, and s, while round forms (O, Q, C) show a controlled, slightly condensed feel with strong thick–thin modulation. The lowercase includes a two-storey a and g, compact apertures, and a relatively short, sturdy look in the verticals; numerals follow the same sculpted contrast, with prominent ball/teardrop-like terminals in places (notably on 2 and 3).

It is well suited to headlines, decks, pull quotes, and magazine or book-cover typography where high contrast and a refined serif profile can take center stage. It can also support branding and packaging that aims for a classic, premium impression, especially when set with generous leading and careful tracking.

The overall tone is traditional and authoritative, with a theatrical punch that reads as premium and composed. Its strong contrast and crisp finishing convey sophistication and confidence, leaning toward an editorial, high-end voice rather than casual utility.

The design appears intended to deliver a classic serif voice with heightened contrast for impactful reading at display sizes, pairing traditional proportions with sharper, more dramatic detailing for contemporary editorial use.

At larger sizes the stroke modulation and tight interior spaces become a defining texture, producing a dark, elegant color on the page. The forms maintain a consistent calligraphic stress and a deliberate, slightly condensed spacing feel in the sample text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸