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Free for Commercial Use

Sans Normal Mivy 2 is a very bold, very wide, medium contrast, upright, tall x-height font visually similar to 'Rhode' by Font Bureau, 'Muller Next' by Fontfabric, 'Arlen' by Groteskly Yours, 'Saint Regus' by Sonar Hubermann, 'Bagor' by Trustha, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, children’s media, logos, playful, chunky, friendly, retro, cartoonish, attention grabbing, playful display, friendly branding, retro tone, high impact, rounded, soft corners, bulbous, compact counters, heavy terminals.


Free for commercial use
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A heavy, rounded sans with inflated strokes and softened corners throughout. Forms lean toward squarish geometry with broad curves, producing a chunky silhouette and compact internal counters. Curved letters like C, G, O, and S read as thick, blobby loops, while straight-sided letters (E, F, H, I, L) keep stout, block-like stems and short, weighty arms. Lowercase shows a tall x-height and simple, single-storey structures (a, g), with short ascenders and descenders that keep the overall texture dense. Numerals are wide and robust, matching the letterforms with rounded bowls and solid, poster-like presence.

Best suited to display settings where bold personality is needed: headlines, posters, packaging, brand marks, and playful editorial callouts. It will also work well for short bursts of text in children’s or entertainment contexts, where its dense, rounded shapes can function as a strong visual hook.

The overall tone is cheerful and approachable, with a playful, cartoon-leaning softness. Its exaggerated heft and rounded construction create a retro display feel that reads as fun, informal, and attention-seeking rather than restrained or technical.

The font appears designed to deliver maximum impact with a friendly, rounded voice—prioritizing bold silhouette, soft geometry, and a compact, punchy texture for attention-grabbing display typography.

Spacing appears intentionally generous and the heavy weight makes counters and apertures relatively tight, which increases visual impact at larger sizes. The design’s consistent rounding and thick terminals create a cohesive, pillowy rhythm across both uppercase and lowercase.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸