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Sans Superellipse Karu 5 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to 'Ramsey' by Associated Typographics, 'Malberg' by Eko Bimantara, 'Morgan Poster' by Feliciano, 'PODIUM Sharp' by Machalski, 'Antry Sans' by Mans Greback, 'Amfibia' by ROHH, and 'Sans Beam' by Stawix (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, apparel, sporty, urgent, energetic, industrial, aggressive, impact, speed, space saving, branding, condensed, slanted, blocky, rounded corners, compact.


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A heavy, slanted sans with compact proportions and a strong, forward-leaning rhythm. Forms are built from chunky strokes with rounded-rectangle corners and broadly squared curves, keeping counters tight and shapes dense. Terminals are mostly flat and clipped, with occasional angled cuts that reinforce speed and direction. The lowercase shows a tall x-height and minimal modulation, producing a uniform, high-impact texture, while numerals follow the same squared, compact construction for consistent set widths and color.

Best suited to display roles such as headlines, posters, sports identities, event graphics, and apparel marks where the condensed, slanted structure can project impact. It also fits packaging and promotional typography that benefits from dense black coverage and a sense of motion.

The overall tone is fast, forceful, and athletic, evoking racing graphics, team branding, and high-intensity advertising. Its dense silhouettes and forward slant communicate motion and urgency, while the rounded-rect geometry adds a modern, engineered feel rather than a soft or friendly one.

The design appears aimed at delivering maximum visual punch in minimal horizontal space while signaling speed and strength. Its superelliptical, rounded-rectangle construction suggests an intention to feel contemporary and engineered, with consistent, simplified shapes that hold up in bold, high-contrast layouts.

At text sizes the bold massing and narrow apertures create a dark, compact color, so short bursts and large settings read most confidently. The squarish bowls and tight joins give it a sturdy, machined personality that stays consistent across upper- and lowercase as well as figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸