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Free for Commercial Use

Cursive Adlin 16 is a very light, very narrow, high contrast, italic, very short x-height font.

Keywords: branding, packaging, invitations, quotes, social media, airy, elegant, intimate, whimsical, delicate, signature look, personal tone, graceful motion, display use, monoline feel, looping, tall ascenders, long descenders, loose baseline.


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A delicate, handwritten script with a tall, slender skeleton and generous vertical reach. Strokes alternate between hairline-thin curves and slightly firmer downstrokes, giving the letters a calligraphic rhythm without feeling formal. Capitals are large and looped, often built from single continuous gestures with extended entry/exit strokes, while lowercase forms stay small relative to ascenders and rely on narrow bowls and open counters. Spacing is compact but not rigid, with subtly uneven joins and a lightly wavering baseline that preserves a natural pen-written texture.

This style performs best at display sizes where the fine strokes and tall proportions can breathe—logos, boutique branding, product packaging, invitations, short quotes, and social graphics. It also works well for accent lines paired with a sturdy serif or sans in layouts where a light, handwritten contrast is desired.

The overall tone is refined yet personal—more like a quick, confident signature than a polished engraving. Its lightness and looping forms create an airy, romantic feel with a touch of playful spontaneity, suitable for designs that want to read as human and expressive rather than typographic and strict.

The design appears intended to capture a graceful, signature-like script with high elegance and minimal visual weight, emphasizing flowing movement and tall, narrow letterforms. It prioritizes expressive line quality and a personal feel over uniform geometry, making it suited to decorative and lifestyle-oriented typography.

Letterforms show consistent slant and a steady, flowing cadence, but with intentionally irregular details (varying terminals, occasional sharp hooks, and occasional simplified connections) that keep it from looking mechanical. Numerals follow the same handwritten logic, with thin curves and tall proportions that visually match the uppercase set.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸