Sans Superellipse Jumy 2 is a very bold, normal width, high contrast, upright, tall x-height font visually similar to 'Film Director JNL' by Jeff Levine (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, industrial, retro, assertive, technical, sporty, impact, display, branding, clarity, sturdiness, condensed feel, squared, rounded corners, ink-trap like, blocky.
A heavy, compact sans built from rounded-rectangle forms, with squared counters and softened corners that create a superelliptical, machined look. Strokes are thick and confident, and many joins show small notches and scooped cut-ins that read like ink-trap-inspired detailing. Curves are restrained and geometric; round letters (O, Q, C) feel more like rounded boxes than circles, while verticals remain straight and rigid. The lowercase is sturdy with simplified bowls and short, blunt terminals, and figures are similarly boxy with tight interior apertures.
Best suited to short, high-impact text such as headlines, posters, logo wordmarks, and packaging where a compact, powerful texture is desirable. It can also work for sports or industrial-themed branding, labels, and display typography that needs strong presence at medium-to-large sizes.
The overall tone is bold and no-nonsense, leaning industrial and athletic with a retro sign-painting and scoreboard flavor. Its tight, squared geometry and deliberate cut-ins give it a technical, engineered voice that feels energetic and commanding rather than delicate or bookish.
The design appears intended to deliver maximum punch in display settings through dense superelliptical shapes, blunt terminals, and functional notch detailing that preserves clarity in tight counters. Its consistent, modular geometry suggests a focus on bold identity work and attention-grabbing titles.
Spacing appears built for impact: counters are relatively small and the silhouette stays dense, which increases visual weight in headlines. The design maintains consistent corner radii and rectangular rhythm across letters, numbers, and punctuation, helping it hold together in loud, high-contrast settings.