Sans Superellipse Utdak 14 is a bold, wide, monoline, upright, normal x-height font.
Keywords: branding, ui labels, app design, headlines, packaging, techy, futuristic, clean, confident, geometric, systematic geometry, modern identity, interface clarity, distinctiveness, rounded, squared, modular, smooth, crisp.
A geometric sans with a strong, even stroke and rounded-rectangle construction throughout. Curves tend to resolve into superellipse-like bowls, giving letters a squarish softness rather than circular roundness. Terminals are clean and largely flat, counters are generous, and corners are consistently radiused, producing a steady, engineered rhythm across caps and lowercase. Distinctive details include rounded-square O-shapes and a streamlined, single-storey lowercase a, plus compact joins that keep forms tight and uniform.
Best suited to branding, product wordmarks, and short headlines where its geometric construction can read as a deliberate design choice. It should also work well for UI labels, dashboards, and packaging systems that benefit from a clean, contemporary sans with softened corners and strong presence at medium-to-large sizes.
The overall tone feels contemporary and tech-forward, with a controlled, industrial clarity. Its softened corners prevent it from reading as harsh, balancing a futuristic voice with approachable smoothness. The consistent geometry gives it a confident, designed-by-system character suited to modern digital branding.
The design appears intended to translate a rounded-rect, superelliptic geometry into a practical sans for modern visual systems. It prioritizes consistency and recognizability over calligraphic nuance, aiming for a distinctive yet controlled voice that feels native to digital interfaces and contemporary identity work.
The glyph set shows several stylistic moments that reinforce the modular theme, including squared bowls and simplified interior spaces. Numerals follow the same rounded-rect logic and appear designed for quick recognition, with open, clean counters and minimal ornamentation.